The interaction of Azerbaijani and world literature: methods, approaches, and modern developments

Abstract

In a context characterized by the rise of globalization and the digital revolution, it is essential to analyze the connections between Azerbaijani literature and world literatures to understand how cultural identities, historical developments, and aesthetic models intertwine and diverge in different environments. Although specialized studies abound—from traditional philological editions to specific theoretical applications—the academic community has not yet managed to draw a comprehensive overview of the methodological approaches, theoretical orientations, and most recent developments that characterize Azerbaijani literary research internationally. Therefore, the main objective of this study is to outline and conceptualize the research methodologies, theoretical paradigms, and recent innovations that shape the study of Azerbaijani literature in dialogue with world literature, in order to establish a unified theoretical and analytical foundation. Our analysis revealed a diverse field where traditional philological rigor coexists with interdisciplinary collaboration between historians, sociologists, and digital humanities specialists. Furthermore, the consolidation of an ethics of translation as a concern for maintaining cultural nuances, the bidirectional recontextualization of Azerbaijani texts in global theater and cinema, and the democratization of literary production. These developments demonstrate the reciprocal influence between local and global literary practices and underscore the transformative impact of technological innovation on research accessibility and analytical reach. Regarding the implications of the study, we emphasize the need for a sustained integration of multidisciplinary methodologies, ethical frameworks for translation, and international dissemination strategies that boost both the theoretical depth and global visibility of Azerbaijani literature.