From legends to humanity: John Updike's religious and literary ideals

Abstract

This article explores how John Updike’s novel The Centaur bridges ancient motifs with the social and religious‑ethical challenges of the twentieth century—particularly identity crises and the erosion of moral values. It is highlighted the philosophical underpinnings of Updike’s humanistic vision, his engagement with classical ideals, and his blending of mythic and everyday reality. The study situates the novel within a framework of “mythological humanism,” addressing three intertwined dimensions: cultural, philosophical, and psychological. Drawing on Henri Bergson’s reflections on social life, Carl Jung’s archetypal theory, Sigmund Freud’s psychoanalytic research, and a variety of mythological methodologies, the analysis uncovers shared symbolic and philosophical patterns across diverse cultures, narratives, and characters. By synthesizing these methodological tools, the article opens new pathways for interpreting the resonances between myth and modern human experience.