The conceptual word as the basis of the composer's individual creative idea

Abstract

The article reveals the concept of "chronotope" and disclosure of the internal form of the creative word as a logical law of meaning-formation in the unity of static and dynamic factors of meaning-generation, and structures of objective and subjective meaning. The concept of "semantic explosion" and identification of the mechanism of transformation of structures of objective meaning into personal meaning is introduced. The conceptual word is substantiated as the basis for the formation of the individual idea of ​​the composer and the factor of centralization of the musical and artistic text. The phenomenon of heterogeneity of meaning as a system of mutual transition and mutual transformation of forms of objectification of meaning - word, image, and action is studied. Stable patterns of generative possibilities of internal forms in the genres of action/word/image are revealed. The principles of the relationship between the internal and external forms of a musical work as two types of artistic content - individual and typical - are substantiated.

Keywords:

Artistic content, Word, Musical and artistic text, Image, Internal forms.